In 1815, an American Legend, whose wife has fallen deathly ill, leaving his young children to survive on their own, must fight his way back to them across the many perils found in the Savage Lands of the wild frontier.

安吉丽娜·朱莉导演新作，改编自亚历山德罗·巴里科（《海上钢琴师》）所著畅销书《Without Blood》，讲述一个关于战争、复仇、记忆和治愈的寓言故事，朱莉将导演和制片，5月意大利开拍。

刚出狱的比莉（Troy Leigh-Anne Johnson）为了帮助疏远已久的父母赎回房子，策划了一起银行抢劫案。没想到行动失败，她情急之下劫持了弗兰妮（Grace Van Dien）——一个性格火爆的孕妇。可她很快发现，对方并不会乖乖就范。
　　在这场惊险的逃亡之旅中，拘谨冷静的比莉和活力四射的弗兰妮碰撞出意想不到的火花，逐渐建立起一段别样的情谊。她们组成了继《末路狂花》之后最令人着迷的公路搭档，带来一场充满惊喜与笑料的旅程。
　　首次执导长片的鲁本·阿玛尔（Ruben Amar）与萝拉·贝西斯（Lola Bessis）邀请观众一同踏上这趟感人又幽默的公路冒险——系好安全带，准备迎接这场别开生面的旅途吧！

Lebanon, 1982. To keep a promise made to an old friend, Georges, an idealistic theater director, travels to Beirut for a project as utopian as it is risky: to stage the play Antigone on the front line, in order to steal a moment of peace from the raging civil war. The characters will be played by actors from different political and religious camps. Lost in a city and a conflict...

图尔克·苏尔的这部剧情长片首作聚焦军官锡南与兄弟凯南——一对自幼矛盾丛生的手足。锡南恪守军令如铁，即便接到押送凯南至军事法庭的残酷任务，仍选择服从。两人穿越政局动荡的国土，未愈合的丧父之痛与积怨在封闭的车厢内发酵。锡南的信仰濒临崩塌：是捍卫冰冷的命令，还是听从内心的良知？一场撕裂亲情与忠诚的终极抉择就此展开。影片叙事简洁而克制，以冷冽克制的镜头与政变暗夜的压迫感，编织出一张信任崩坏的末世图景——当权力齿轮碾碎血缘，枪口下的沉默比枪声更震耳欲聋。

Ten minutes a day can change the course of the day. Ten minutes of doing something completely new can change the course of a life. This is what Bianca will discover in the midst of an existential crisis. New encounters, the discovery of special bonds and listening to those who have always loved us. Sometimes it takes very little to start over and this film teaches us, through a warm and exciting tale of rebirth.

八百里关中平原，一起商贩和果农的收购冲突事件，促使两个在外打拼的年轻人走在了一起，是素未蒙面的陌生人也是创业合作的欢喜冤家。在互联网电商直播的浪潮下，他们和心怀希望的村民们擦出了神奇的火花，一起开启了一段疯狂的尝试与冒险，踏上了共同致富的曼妙旅程。

A ship explodes. A man dies. A man disappears without a trace. Is it an accident or a cover-up for something darker?
　　Documentary filmmaker Nerijus Milerius (“Exemplary Behaviour”) invited his former student Lina Lūžytė (“Together Forever”, “The Castle”) to direct this Lithuanian psychological thriller while investigating Japanese disappearances. Genius cinematographer Vytautas Katkus (worked on Locarno winner “Toxic”) captures the dark subject matter perfectly, jumping between moving cars and shooting in time-lapse.
　　Actress Žygimantė Jakštaitė (“Runner”) plays Lina, a Vilnius morgue medic who becomes fascinated by the mysterious disappearance of a sailor named Vilkas (Wolf). Her obsession leads her to eerie places and disturbing encounters. The clock is ticking as Lina searches for the lost man.

In Diciannove (translating to Nineteen), Giovanni Tortorici’s elegant, heartfelt, and daring debut, a curious student learns that the road to self-discovery is worthwhile, if not necessary, no matter how unfamiliar or daunting the path.
　　Eager to escape his overbearing mother and the only life he’s known, 19-year-old Leonardo (Manfredi Marini, who gives an exceptional performance), leaves picturesque Palermo to study in bustling London. His landing is buffered by his sister Arianna (Vittoria Planeta) and her roommate Grazia (Dana Giuliano), though the initial excitement of living abroad — and unrestricted partying — wanes quickly, and Leonardo finds himself enrolling at the University of Siena, focusing on Italian literature.
　　Back in familiar surroundings, he falls in love with the medieval city, but is not so keen on his literature professor. Seeking that indescribable feeling of knowing you’ve found your place — beyond just geography — Leonardo delves into the classics independently, spawning a soul-searching and deep interest in early modern authors like Pulci, Segneri, and Leopardi. Surrounding himself with beauty, vibrant youth, and new ideas — as well as images he’d previously repressed — his world blooms. A year into his unbound journey, Leonardo travels to Torino where he meets a man who, though much older, may finally be a contemporary — if not the key to unlocking his innermost desires.

In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk.
　　But compelled, he was.
　　He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll.
　　Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this?
　　But no answer came.
　　So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino.
　　The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.”
　　It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life.