In 2013, an Australian man a few months shy of turning 60 decided to walk the Camino de Santiago – an 800km pilgrimage trail across the top of Spain. He had no known religion, and absolutely no idea why he felt so deeply compelled to do this torturous walk.
　　But compelled, he was.
　　He completed the walk, battling a “triumvirate of pain” - a knee that he later discovered lacked any meaningful cartilage, a blister the sight of which would make a grown man weep, and shin-soreness that felt like his lower limb had been split with a mountain axe wielded by a demented troll.
　　Arriving at the end of the Camino, the majestic cathedral in Santiago de Compostela, he expected an epiphany – an answer to the question he’d been asking himself every day: Why am I doing this?
　　But no answer came.
　　So when he got home he wrote a book, hoping the answer would reveal itself in his scribblings. The result was The Way, My Way, a humourous and self-deprecating book that many consider the best memoir ever written on walking the Camino.
　　The book has now been made into a film, and it’s an extraordinary account of a man at a pivotal point in his life, searching for meaning and finding himself undergoing a fundamental transformation so profound that he now divides his life into “Before the Camino” and “After the Camino.”
　　It’s a story particular to one man, yet of appeal to anyone seeking a greater meaning from life.

The film is inspired by the true-to-life story of the discovery of the long-lost “Opus 28” manuscript from Norwegian composer Johan Halvorsen, originally performed in 1909 by Canadian violinist Kathleen Parlow, to whom the piece was dedicated.
　　Campbell portrays a student who seeks to complete her thesis on Parlow by organizing a public performance of “Opus 28” from Toronto to Oslo. The cast includes Dueñas, Melanie Scheiner, Eve Duranceau, Maxim Gaudette, Rosa-Johan Uddoh, and Eileen Davies.

Debt-ridden pacifist Richard Fyre is propositioned to return to his abandoned mercenary ways by flamboyant zealot, Priest, to eliminate his international competition in exchange for a clean slate.

一位饱经风霜、躁狂抑郁的摄影师和一位年轻的巴黎自由主义者，在从洛杉矶到旧金山的一次喧嚣的公路旅行中上演了一夜情雪球。随着他们沿着加利福尼亚海岸的旅行，他们离目的地越来越近，这也使他们彼此之间的距离越来越近。只有一个问题——我们的广场恐惧症患者担心这会毁掉一切——他没有告诉她他们的公路旅行的目的：从他疏远的前妻手中接管他的女儿。

Molly, a young woman released from prison struggles to regain custody of her children. When she bumps into her childhood friend Amina the two women soon realize their only chance is to join forces and take destiny into their own hands.

四个关系破裂的大学生为了躲避生态灾难而进行露营旅行。独自一人在沙漠中，他们开始怀疑自己的现实可能并不像看上去的那样，很快意识到自己被监视了。

当昔日的童年挚友离奇离世，一群老友重聚于她那座充满诡异回忆的豪宅，试图厘清过往。然而，悼念瞬间沦为绝境：她曾主持的经典儿童节目中，那些形象可爱的毛绒玩偶竟变成了嗜血的杀戮机器。

普通的邻里，突发的事件，三桩惨祸

Rachel is introduced to a viral craze of allowing people who living the walls out into the world. This ends up badly and when her parents don't believe her two kids from her school do as they attempt to fight back against these creatures.

　　八位老朋友在大学毕业20周年聚会上决定尝试各自梦想中的职业，但结果却闹得一团糟，笑料百出。

A trucker's family is killed in a fiery crash caused by a group of reckless teens. Rescued from the wreckage and nursed back to health by a mysterious old man, the trucker exacts brutal revenge on the teens who destroyed his life.

一次看似普通的亲子钓鱼之旅，一家三口却误入了被称为“稻草人幽谷”的无人荒野。影片由他们遗留下来的影像拼凑而成，记录了这段度假经历如何一步步失控——森林深处，有某种无法解释的存在在暗中狩猎，而这片幽谷被掩埋的恐怖历史，也逐渐显露真相。

In 1815, an American Legend, whose wife has fallen deathly ill, leaving his young children to survive on their own, must fight his way back to them across the many perils found in the Savage Lands of the wild frontier.

米娅是一名年轻的记者，她和一群年轻的企业家和影响者参加了一场名为“如何在 48 小时内获得 100 万粉丝”的激励研讨会，该研讨会由演讲者和教练塞巴斯蒂安·克拉夫特主持。房间里挤满了 50 人，所有人都积极向上，想要进一步提升自己、提升自己的数字形象和业务。研讨会第一天结束后，有一个庆功宴，所有影响者都试图用无数的自拍和自拍故事来超越彼此。研讨会的第二天是一场专注的大师班，由 8 位想要获得高级见解的影响者预订。这 8 位影响者中的一些人试图让塞巴斯蒂安分享一些关于如何成功的更多秘密。当他提到黑魔法和女巫时，听众们都很好奇。他声称要咨询住在房子附近的女巫。这个女巫可以让你立刻成为著名的社交媒体明星。对名声的渴望压倒了这群人的恐惧，不久之后，这群由 8 名被迷惑的网红组成的团队出发去寻找女巫，以支付她的服务费用，从而获得权力和名声。这群人找到了女巫，但他们也发现了很多他们不想要的东西。这部黑暗恐怖喜剧展开了一场生存游戏，并揭示了每个角色的真实本性。这部电影不断跨越自爱和不健康的自恋之间的界限，唯一的问题是谁能活过这个夜晚。

改编自奥地利剧作家Schnitzler的作品。在纸醉金迷的上流社会，一对夫妇的婚姻正遭受着前所未有的考验。妻子坦诚自己对另一个男人抱有幻想后，丈夫偶然间发现了一个神秘的情色团体，他无视旁人的再三警告，毅然决然地参加了一场神秘的蒙面舞会。

Facing a long winter of lockdown and combating a bad case of writer’s block, filmmaker Eric agrees to get a dog with his girlfriend Allie. A modern couple – vegan, ethical, millennial, neurotic – much research and negotiation leads to the arrival of Milly, a rescue from the Dominican Republic. This sets off a riotous chain of new challenges on how to best deal with this addition to the household. As Eric contends with a sinister dog-training programme, his introspection spills out onto his film work, with poor Allie and Milly taken along for the ride. The couple each pursue their own deepheld individual questions surrounding trust, purpose and roots, while wrestling with the idea of what it means to be a modern family. Milly, in the meantime, has a lot on her paws with these two!
　　Part rom-com, part rescue-dog story, part autofiction, part self-indictment, part family scrapbook, this debut feature was made with remarkable economy and displays a disquieting amount of (often hilarious) emotional authenticity. Filmmaker Ben Petrie and creative collaborator Grace Glowicki play the young couple and in doing so, capture nothing less than what it means to be human.